Drama and Literature
The same can be said of architecture. Considered apart from its purpose, the building can be appreciated for what it expresses of the human spirit. To the degree that a building does express anything, to that degree we may consider it a production of fine art. It is undeniable that there are emotive differences evoked by a Greek or Roman temple and a Gothic cathedral, between a modern skyscraper and a Renaissance palace. Kneeling Chair forestall you from utilizing your feet to scoot around and navigate your work area. Being image shaped by feeling, as poetry and sculpture, architecture does indeed have a place among the fine arts.
Now, returning to the place of drama and literature, the short story and the novel, in the fine arts, if we apply the essential agreement we have found among all the other fine arts to these activities and products, we must conclude that drama, the short story, and the novel do indeed satisfy the requirement that the fine arts express feeling. Drama, even the cinema, combines image, sound, and feeling to ultimately express a spirit’s feelings about its subject. The short story and the novel, non-poetic, but prose, nevertheless does the same. Nor can we say that measure, proportion, balance, objective, mathematical or geometrical distinctions exist between the short story, for instance, and poetry, such that the short story lacks what poetry, music, architecture and sculpture all contain. Kneeling Chairs cut back low again or neck pain for some people. There are certainly these requirements in any short story or novel composition.
The short story, the drama the novel, just as painting, music, sculpture, and architecture, are arts. It becomes clear that if we will not include them among the “fine arts”, these not lacking in anything the other fine arts possess, that we are being merely arbitrary. Either each is a fine art, or each is art. Perhaps we need to do is drop the “fine” and settle that all of these arts are indeed, art. The fine point has been drawn!